Music in 18th-Century Newcastle
Music in 18th-century Newcastle. Lucie Skeaping talks to Rosemary Southey of Newcastle University about the musical scene in the north-east of England in the eighteenth century, with works by Avison, John Garth and Herschel.
As part of the BBC's current focus on Dance, Lucie Skeaping is joined by choreographer and early dance expert Darren Royston to discover some of the delights of medieval dance moves.
The Bach-Abel Concerts. Lucie Skeaping talks to the music historian, Simon Heighes about a famous concert series which began two hundred and fifty years ago this year and which lit up London's concert life following the death of Handel. The Bach-Abel series continued for thirty years and with it J.C
Lucie Skeaping explores Artaserse, one of the most popular opera libretti by Metastasio, the great 18th century dramatist, featuring Artaxerxes I, King of Persia. The libretto was originally written for and first set to music by Leonardo Vinci in 1730 for Rome, and it was subsequently set by dozens
Performer Profile: Nigel Rogers
Lucie Skeaping presents a profile of the career of the British tenor Nigel Rogers, who celebrates his 80th birthday this week.
International Women's Day: Composer Profile - Barbara Strozzi
International Women's Day, celebrating female composers: Barbara Strozzi Lucie Skeaping is joined by Laurie Stras to profile the life and music of the prolific 17th Century Venetian composer and singer Barbara Strozzi. @bbcradio3 #womensday Born in 1617, the daughter of a servant girl Barbara was
Lucie Skeaping investigates the music of 18th- and early 19th-century Cuba in the company of Andrew McGregor and musicologist Miriam Escudero. Includes music by Esteban Salas, Juan Paris and Cayetano Pagueras, and performances by Ensemble Ars Longa La Havana.
Composer Profile: Georg Wagenseil
Lucie Skeaping looks at the life and music of the Viennese composer Georg Christoph Wagenseil. Although today he's largely relegated to the footnotes of musical history, in his day he was internationally admired, not least in the Mozart household. His tercentenary year gives cause for a fresh look a
Composer Profile - Jacques Duphly
Sophie Yates presents a profile of the French harpsichordist and composer Jacques Duphly, the tercentenary of whose birth falls this month.
Hampton Court and Edward VI
Lucie Skeaping visits Hampton Court Palace to find out about the music written during the short, but eventful reign of King Edward VI. She traces Edward's story from cradle to grave with guest contributor Michele Price - manager of the choral foundation at Hampton Court Palace.
Here We Come a-Wassailing
Lucie Skeaping investigates an ancient musical tradition whereby people went from door to door singing carols and were rewarded with hot mulled cider. Wassailing can be traced back possibly as far as Anglo-Saxon times and has evolved over time to become associated with Christmas. Lucie Skeaping intr
Music to Boccaccio's Ears
As part of Decameron Nights, Lucie Skeaping talks to David Fallows, Emeritus Professor of Musicology at the University of Manchester, about music in Italy in the time of Boccaccio.
Clare Salaman on forgotten instruments which were once part of everyday musical life. Clare considers why instruments which were once part of musical life - such as the vielle, the bray harp, the hurdy gurdy and the viola organista - are now rarely heard. Some were particularly suited to certain st
Lucie Skeaping presents the second of two tributes to Frans Bruggen looking at the conducting years, she is joined by flautist Lisa Beznosiuk of the Orchestra of the Age of Enlightenment, and the clarinettist Eric Hoeprich, from Bruggne's own Orchestra of the 18th Century.
In the first of two tribute programmes to the late Frans Bruggen, the recorder player Piers Adams reflects on Bruggen's career as a recorder virtuoso. The programme features recordings by Frans Bruggen performing music by Handel, Vivaldi, De Lavigne, Telemann, Walter, Sammartini, Hotteterre and JS
CPE Bach in Hamburg
Piers Adams celebrates CPE Bach's 300th anniversary year with a visit to the city of Hamburg, where the 54-year-old Emanuel Bach began a new career as music director to the city's churches. Dutch keyboard player Pieter Jan Belder samples the vast collection of fortepianos and clavichords at the Muse
Composer Profile: Pierre de Manchicourt
Lucie Skeaping and conductor Stephen Rice explore the music of the Franco-Flemish composer Pierre de Manchicourt, who died 450 years ago today.
A Tribute to Christopher Hogwood
Lucie Skeaping is joined by Sir Nicholas Kenyon in a tribute to conductor and musicologist Christopher Hogwood, who died last Wednesday. They consider the extraordinary impact he made in early, baroque and classical music performance, and introduce some of his iconic and groundbreaking recordings.
Music in 18th-Century Birmingham
Lucie Skeaping is joined by harpsichordist Martin Perkins to explore the music 18th-century audiences in Birmingham and the Midlands would have known. The programme includes rarely heard works by John Pixell, Richard Mudge, Joseph Harris, Barnabas Gunn, Jeremiah Clark of Worcester and Capel Bond. J
The Roots of Klezmer
Lucie Skeaping explores the origins of Klezmer, a musical tradition of the Ashkenazi Jews of Eastern Europe, with musicologist Dr Alexander Knapp. Played by professional musicians called 'klezmorim', the genre originally consisted largely of dance tunes and instrumental display pieces for weddings a
Jean-Philippe Rameau and the Dance
In the second of our three programmes marking the 250th anniversary of the death of Jean Philippe Rameau, Sophie Yates visits the Royal Academy of Music in London to explore Rameau's mastery of dance music in his works for the theatre. She's joined by the art historian Clare Hornsby, the dancer and
How to be HIP
Clare Salaman is fascinated by the continuing debate about authenticity - or Historically Informed Practice (H.I.P) - in Early Music. How can we be sure that performances are historically accurate, and how important is it that they are? Clare talks to Catherine Mackintosh about early developments i
CPE Bach in Berlin
Piers Adams continues to celebrate CPE Bach's 300th anniversary year with a visit to Berlin's Charlottenburg Palace, where Emanuel Bach arrived as an optimistic 26 year old to join the court of Prussia's flute-playing King Frederick the Great. In a guided tour though the palace we hear how Emanuel
Composer Profile: Robert Fayrfax
Lucie Skeaping celebrates the life and music of English composer Robert Fayrfax who flourished in the early 1500s and was born 550 years ago. More of Fayrfax's music survives than of any other English composer of the period, largely due to the existence of two large Tudor choir books in which his wo
Rameau and the Harpsichord
Sophie Yates visits The Russell Collection of Early Keyboard Instruments in Edinburgh to play extracts from Rameau's Pièces de clavecin on three extraordinary double-manual French harpsichords made in the late 1700s and fully restored to playing condition. She talks to the museum's curator, Darryl M
Hilliard Ensemble - 40th Anniversary
Lucie Skeaping talks to members of the Hilliard Ensemble as they celebrate their 40th anniversary, and plays a selection of their many recordings. The Hilliard Ensemble established a reputation as an early music ensemble with a series of successful recordings in the 1980s, but it was when they bega
18th Century Season Composer Profile: Carl Friedrich Abel
As part of the BBC's 18th Century Season, Lucie Skeaping looks at the life and music of the German composer Carl Friedrich Abel, who spent most of his career in London. Abel arrived in London in 1754 as a virtuoso viola-da-gamba player, and soon became one of the biggest names on the London music s
18th Century Season: Hogarth
18th-century life by Hogarth, and considers their musical references. Lucie is joined by Jeremy Barlow, an authority on music in the 18th Century, who has made several recordings with the Broadside Band and has written about music and Hogarth. The three featured pictures by Hogarth are: "The Enra
Gluck's Iphigenie en Tauride
Lucie Skeaping looks at the music from Gluck's fifth operatic masterpiece, Iphigénie en Tauride - based on Euripides' play, and first performed in Paris in 1779. With Iphigénie, Gluck took his operatic reform to its logical conclusion. The recitatives are shorter and accompanied by strings and othe
Live at Southbank Centre: Composer Profile - Locatelli
Live at Southbank Centre. Lucie Skeaping explores the life and works of Pietro Antonio Locatelli, who died 250 years ago. One of the violin giants of the eighteenth century, Locatelli was born in Bergamo in 1695, but by the age of sixteen had moved to Rome, perhaps to study with the famous but ail
CPE Bach 300th Anniversary
Piers Adams celebrates the 300th anniversary of the birth of CPE Bach with tracks from new CDs released to mark the occasion. There are also interviews with musicians in Leipzig, Hamburg and other cities around Bach's native Germany who reveal how they will be celebrating the year. In his time, CPE
The Return of the Nyckelharpa
The multi-instrumentalist Clare Salaman presents a programme all about a once popular early instrument with Swedish origins that has all but dropped off the musical landscape in this country. However, the nyckelharpa (or 'keyed fiddle') makes a sound that delights audiences. Clare has delved into th
The Cardinall's Musick at 25
Lucie Skeaping plays recordings of the Cardinall's Musick and talks to its director Andrew Carwood as the group celebrates its 25th anniversary. Music played includes works by Byrd, Fayrfax, Ludford and Sheppard. (photo: Dmitri Gutjahr).
Bach's The Art of Fugue
Lucie Skeaping takes expert advice from Simon Heighes to explore the background, purpose and music of JS Bach's last great masterpiece - The Art of Fugue. At the end of his life Johann Sebastian Bach set out to create a great summary of his thoughts and ideas about an intellectual musical form he'd
Composer Profile: Perotin
Lucie Skeaping presents recordings of music by the 13th-century European composer Perotin, including performances by the Hilliard Ensemble, The Orlando Consort and Ensemble Organum. Probably French in origin, Perotin's music embodies the Notre Dame school of polyphony and the ars antiqua style.
European Union Baroque Orchestra
Lucie Skeaping presents a concert of music by Bach, Rameau and Leclair given by the European Union Baroque Orchestra and director Lars Ulrik Mortensen at MediaCityUK in Salford. JS Bach: Suite No 2 in B minor, BWV.1067 (flute soloist Anne Freitag) Leclair: Concerto for Flute in C major, Op.7 No.3 (
The Incomparable Lubicer
Lucie Skeaping explores the story of the virtuoso German violinist Thomas Baltzar, nicknamed "The Incomparable Lubicer". He caused a storm in early 17th Century England and was acclaimed as the greatest violinist in the world.
Seasonal Music with Emma Kirkby
Early music stalwart, the soprano Dame Emma Kirkby is today's guest presenter of The Early Music Show, and chooses some of her favourite seasonal music from the Middle Ages, Renaissance and Baroque. (photo: Bibi Basch).
Academy of Ancient Music - 40th Anniversary
Lucie Skeaping celebrates the 40th anniversary of the UK's pioneering period orchestra, the Academy of Ancient Music, in the company of Music Director Richard Egarr. Together they look back over the orchestra's history and listen to some of its most important recordings.
The Tallis Scholars at 40
Lucie Skeaping's guest is Peter Phillips, director of the Renaissance choral group the Tallis Scholars, which maintains its world wide popularity 40 years after it was founded. Over the years, many of their 60 or so CD recordings have reached iconic status and Peter will be choosing some of the high
Scarlatti's Vocal Music
Catherine Bott looks at the vocal and choral music of Domenico Scarlatti, best known today for his 555 keyboard sonatas. Having grown up in Italy with a rather domineering opera composer as a father, it was inevitable that Scarlatti should have picked up some of his musical influences from the stage
Sound of Cinema: Farinelli - The Movie
As part of the Sound of Cinema season, Catherine Bott looks at the story and the soundtrack of the 1994 film "Farinelli" - a biopic of the great 18th century castrato and his colourful relationships with women, with his older brother and with the composers Handel and Porpora. It's been a long time
Sound of Cinema: The Harpsichord and Film
As part of the BBC's Sound of Cinema season, Lucie Skeaping presents a profile of the harpsichord in film scores. #BBCSoundofCinema Lucie looks back on the pioneering work of Wanda Landowska in stimulating a renewed interest in the instrument in the first third of the 20th Century, and how the dist
Sound of Cinema: A-Z of Baroque at the Box Office
Catherine Bott gives us a whistle-stop A-Z tour of how early music has been featured in mainstream films to both poignant and ironic effect; from Allegri and Albinoni to Zadok and Zoolander. #BBCSoundofCinema.
The infamous life of the Renaissance composer Carlo Gesualdo is full of drama, intrigue and death. Among accusations of a double murder, witchcraft and masochism stands an extraordinary body of music with its own tortured chromatic sound world. To mark the 400th anniversary of the composer's death
The Other Water Music
Virtually unknown a few decades ago, Georg Philipp Telemann's orchestral suite 'Hamburger Ebb' und Fluth' (Hamburg Ebb and Flow) is fast becoming a rival to Handel's 'Water Music'. Written in 1723 to celebrate the centenary of the Hamburg Admiralty it tackles watery subjects such as the sea deities
At the Hermitage in St Petersburg hangs one of Caravaggio's most famous paintings: the Lute Player. An androgynous young man looks out at us as he plucks the strings of this most iconic of Renaissance instruments, and a music book lies in front of him. Close inspection reveals that not only has Cara
Catherine Bott presents a profile of the German composer and organist Matthias Weckmann, who flourished in Dresden and Hamburg during the 17th century. Weckmann was a pupil of Henirich Schütz, and the organist and composer Praetorius, and who made a major contribution to the musical life in Protesta
Time Will Tell
The singer Donald Greig has established a long career performing with groups such as the Tallis Scholars and the Orlando Consort, of which he is a founder member. Last year he wrote his first novel - Time Will Tell - which recently came out in paperback. It tells parallel stories set in the 1990s wo
The Renaissance English composer John Dowland was a prolific writer of songs accompanied by the lute, and the performance of those songs has sustained and informed the careers of many great singers and lute players over the decades. Lucie Skeaping takes a look back at how the interpretation and perf
Lucie Skeaping enlists the expertise of Baroque flautist and recorder player Peter Holtslag to celebrate the life and music of Jacques-Martin Hotteterre "Le Romain"; performer, writer and pedagogue who died 250 years ago this week and did more than any other to enhance the popularity of the "new" tr
Vermeer and Music
The National Gallery's exhibition of paintings by Vermeer and his Dutch 17th-century contemporaries - every one of which depicts musicmaking of one kind or another - opened earlier this week. Lucie Skeaping takes a tour of the exhibition with curator Marjorie E. Wieseman, and chooses music to go wit
Lucie Skeaping and musicologist David Skinner consider the music that might have been heard by Richard III. In September last year archeologists from Leicester University made the exciting discovery in a car park of a Medieval skeleton which was later proved to be that of King Richard III. Thanks l
William Byrd 08 Jun 13 &
As part of Radio 3 Celebrating British Music, Catherine Bott presents a comprehensive profile of the composer William Byrd and some of his most glorious music, in conversation with conductor Andrew Carwood.
The Private Musick
Celebrating British music, Lucie Skeaping samples the sounds that would have been heard in the inner circles of the English royal courts from Henry VIII to George III. Includes works by Henry VIII himself, plus Lawes, Purcell and JC Bach.
Wagner 200: Mastersingers of Nuremberg
Immortalised by Wagner in his famous opera, Lucie Skeaping looks back on the life and music of the real Hans Sachs and his fellow Mastersingers in 16th Century Germany. First broadcast in March 2007.
Artist Profile: David Wulstan
On today's Early Music Show Catherine Bott talks to David Wulstan, a pioneering figure in the understanding and interpretation of early music in general, and of music of the Tudor period in particular. In the 1960s and 1970s David Wulstan created The Clerkes of Oxenford. With this group of singers
Watteau and Music
Lucie Skeaping looks at music and the 18th-century French painter Antoine Watteau. No fewer than a third of Watteau's canvases depict musical scenes. The Palais des Beaux-Arts in Brussels is currently running an exhibition of Watteau's work "underscored" by musical items chosen by the great French
Campra - the Rebel of Notre Dame
Catherine Bott presents a profile of Andre Campra - a musical innovator, and something of a rebel at the turn of the 18th Century. His stint as Music Director of Notre Dame Cathedral was wracked with controversy, thanks to Campra's wishes to branch out into music for the theatre...a pastime which wa
To celebrate the 850th anniversary of the first stone of Notre Dame de Paris being laid, Catherine Bott explores the beginnings of music in the great cathedral.
The Treaty of Utrecht
Catherine Bott looks at music marking the ceremonial signing of the Treaty of Utrecht in 1713, with celebration pieces by Handel and William Croft. Handel's "Utrecht Te Deum and Jubilate" was written to celebrate the Treaty of Utrecht, which established the Peace of Utrecht in 1713, ending the War
Catherine Bott explores the diverse music associated with the Medieval texts of the Carmina Burana. She talks about the difficulty of turning the original manuscript into music and the variety of interpretations that have ensued. Although commonly associated with drinking and bawdiness the Carmina B
Renaissance Wind Music
Lucie Skeaping considers the importance of wind music in the middle ages, through the work of one of today's award winning period ensembles. The ensemble of shawms, bombards and trumpet or sackbut (trombone), known as the alta capella, was one of the most striking and influential ensembles of the m
A Sure Foundation
Chorales, or German hymn tunes, played a central role in the sacred music of German composers right from the time of Martin Luther (who wrote some of them himself) up to that of JS Bach. Lucie Skeaping explores some of the ways in which these composers used them, with examples from Praetorius, Pache
East European Baroque
In today's edition of the Early Music Show, and as part of Radio 3's Baroque Spring season, Catherine Bott goes in search of the unknown baroque. Vivaldi, Handel, Bach and the Scarlattis are familiar names to us, composers synonymous with one of the richest periods in musical history. But Venice, Le
Baroque Spring: Monteverdi Opera
As part of Baroque Spring Catherine Bott uses the themes of gods and monsters to look at the brilliant characterisation in Monteverdi's operas. Looking specifically at L'Orfeo and L'Incoronazione di Poppea Catherine shows how Monteverdi treats works of mythological stories with very modern dramatic
Rameau and La Poupeliniere
As part of Radio 3's Baroque Spring season and in the second of this weekend's Early Music Shows dedicated to French Baroque music, Lucie Skeaping explores the relationship between Jean-Philippe Rameau and his main patron Alexandre Le Riche de la Poupelinière.
Lully and Louis
As part of Radio 3's Baroque Spring season, Lucie Skeaping introduces the first of two Early Music Shows this weekend dedicated to French Baroque music. Today, Lucie explores the relationship between King Louis XIV and his favourite composer - Jean-Baptiste Lully.
The Salve Regina
Lucie Skeaping finds out how the Marian hymn "Salve Regina" fascinated European composers throughout the Renaissance era. The original chant is itself an exquisitely beautiful melody and it inspired several generations of composers to write soaring polyphonic settings around it, including Guerrero,
Telemann the Everyman
Catherine Bott explores the idea of Telemann the Everyman: how he absorbed and excelled at so many musical styles, and purposely made his music available and appealing to the widest possible audience. She's joined by musicologist, flautist and all-round Telemann expert Steven Zohn.
The Marriage of Princess Elizabeth Stuart and Frederick, Elector Palatine
Lucie Skeaping explores the wedding of Princess Elizabeth Stuart and Frederick V, Elector Palatine, which took place in Whitehall 400 years ago this Valentine's Day. The celebrations were organised by Sir Francis Bacon, and included over a week of lavish entertainments including music by, among othe
Jennens - Handel's librettist
Catherine Bott visits the Handel House in London where Ruth Smith has curated an imaginative exhibition on the life of Handel's librettist, Charles Jennens. It was Jennens who created the libretto for Handel's Messiah, he might even have suggested the idea to Handel, and he also furnished the compos
The Other Purcell Boy
For centuries it's been widely accepted that the composer Daniel Purcell was the younger brother of the more celebrated Henry. Now, though, it's thought that they may actually have been cousins rather than brothers. Apart from a much loved Magnificat & Nunc Dimittis, Daniel Purcell's music has remai
Tous Les Matins du Monde
The revered French actor Gerard Depardieu is frequently in the news these days and not always for his acting. In the early 1990s Depardieu gave a brilliantly nuanced performance as the 17th/18th Century composer and viol player Marin Marais. The acclaimed film "Tous Les Matins du Monde" was one of t
Accademia di Arcadia
Lucie Skeaping explores the Accademia di Arcadia, a literary academy founded in the late 17th Century which boasted musician members including Corelli, Scarlatti and Pasquini.
The Baroque era saw some of the most significant developments in the history of western musical instruments, not least the appearance of the modern violin family which superseded the viols as the dominant string group. Not all the developments were as long lasting as the violin though. Catherine Bot
Trinity Carol Roll
Catherine Bott is in Cambridge for a look at the Trinity Carol Roll, one of the earliest sources of English polyphonic carols. She visits the Wren Library where the manuscript is kept and talks about the music and the significance of the collection with David Skinner who has recently recorded it all
Cristobal de Morales
Lucie Skeaping explores the life and work of Cristóbal de Morales, by all accounts a difficult man to work with, but the greatest Spanish composer of his age, and the first Spanish composer of international renown.
Catherine Bott explores the life and musical settings of the work of the Italian poet Torquato Tasso, who was one of the most widely read writers in 16th Century Europe. His words were set by the great composers of the day and for many centuries after his death, but he was a troubled man who suffere
Music for Advent
On the first Sunday of Advent, Catherine Bott introduces a selection of early music for the Advent season. Including music from Bach, Charpentier and Praetorius and lesser known composers Vaclav Karel Holan Rovensky and Thomas Stoltzer.
Performer Profile: Benjamin Bagby
Catherine Bott talks to the vocalist, harpist and scholar, Benjamin Bagby, about his career that has spanned more than 30 years. He founded the ensemble Sequentia with the late Barbara Thornton in 1977, a versatile group specialising in the performance and recording of Western European music from th
Florilegium and the Baroque Dance Suite
Lucie Skeaping presents a profile of the Baroque group Florilegium with their director Ashley Solomon and takes a look at the character and nature of the baroque dance suite. Florilegium have a reputation as one of this country's most outstanding early music groups. Founded in 1991 by the recorder
The Devil's Trill
'One night I dreamed I had made a pact with the devil; he was my servant and anticipated my every wish. I had the idea of giving him my violin to see if he might play me some pretty tunes...'. Lucie Skeaping explores the life and works of Giuseppe Tartini, one of the great violin virtuosos of the 18
As part of the Piano Season on the BBC, Lucie Skeaping presents the second of two programmes about the development of the piano during the eighteenth century. Lucie continues her survey of the development of the period piano, ending in the early nineteenth century with instruments for which Beethov
As part of the Piano Season on the BBC, Lucie Skeaping presents the first of two programmes about the development of the piano during the eighteenth century. Lucie looks at the development of the piano from its origins in Florence with Bartolomeo Cristofori. With contributions from the period inst
"...A Piano Sensation..."
Jan Ladislav Dussek was a Bohemian composer and pianist of the late 18th Century. He was the first great touring piano virtuoso paving the way for the likes of Franz Liszt. It was Dussek who first thought of playing the piano sideways on to the audience - the better to show off his noble profile.
Louis XIV's Composer Competition
We may think of talent contests as a modern day phenomenon, but in 1683, King Louis XIV instituted an extraordinary competition to find four new composers suitable for his Chapelle Royal in Versailles. The successful applicants would each be given a season of the year to compose for the Chapel and t
Catherine Bott chats to Fiona Maddocks about the remarkable life of the German abbess, visionary, poet and composer Hildegard of Bingen who died on 17th September 1179. Hildegard wrote that she experienced visions from an early age and as a child entered the monastery at Disibodenberg on the Rhine;
Lucie Skeaping presents a profile of one of the earliest and best-known English operas - Purcell's "Dido and Aeneas", the love story of the Queen of Carthage and her Trojan hero. Set to a libretto by Nahum Tate, Dido and Aeneas was first performed in Chelsea in July 1688, and although it wasn't sta
Catherine Bott profiles harpsichordist & conductor Harry Bicket - regular at Glyndebourne & the New York Metropolitan Opera, and current musical director of The English Concert - about his career and his recordings. Music includes works by Handel, Bach, Pergolesi and Gluck in performances by Renée F
Catherine Bott explores the life and music of the once celebrated but now forgotten 18th Century Venetian composer Baldassare Galuppi, with the help of writer, critic and self-confessed Galuppi enthusiast Jonathan Keates.
Primarily remembered today as the teacher of Handel, the German musician FW Zachow was a renowned composer in his own right. In the first of a weekend of early music shows exploring some of his music, Lucie Skeaping explores his life and influence on Handel's music alongside a variety of Zachow's wo
Giovanni Gabrieli: Music for San Rocco
Lucie Skeaping presents a programme featuring music by one of the most engaging and important Venetian composers, Giovanni Gabrieli, who died in August 400 years ago in 1612. Gabrieli spent his life working in Venice and held the esteemed position of organist at both St. Marks and San Rocco, so some
Robert ap Huw
Catherine Bott looks at the tradition of music making pre-1700 in Wales with a feature on the 17th century Robert ap Huw manuscript - one of the most important collections of Welsh early music. With contributions from Bangor University's Sally Harper, and harpists Bill Taylor and Paul Dooley.
Notker the Stammerer and the Abbey of St Gall
Lucie Skeaping explores the Abbey of St Gall, its role in the development of medieval chant, and how one of the Abbey's most famous sons - a young monk named "Notker the Stammerer" - came to write a revolutionary kind of music there.
Lucie Skeaping presents a profile of the 16th Century German composer Michael Praetorius, most famous for his many Lutheran chorales and song arrangements, and for his compendium of more than 300 instrumental dances: "Terpsichore". Music includes recordings by David Munrow's Early Music Consort of L
"Man is born free, but everywhere he is in chains" - words made famous by the philosopher Jean-Jacques Rousseau. But Rousseau was more than just a writer of philosophy. He was also a keen composer and musician; amongst his musical output are seven operas. He also wrote about music and at times earn
From the early years of Renaissance, composers portrayed subjects from Greek mythology. These stories provided particular inspiration as the new operatic genre took hold in the early 17th century. The 18th century saw the philosophical revolution of the Enlightenment spread throughout Europe and acc
Early Music in the '50s
When Queen Elizabeth came to the throne in 1952 it sparked a wave of creative interest in the first Queen Elizabeth and her times. Catherine Bott looks at how this coincided with the work of the early music movement in this country. In particular she looks at the work of some of the great early musi
Alfred Deller Centenary
Catherine Bott presents a programme to celebrate the centenary of the birth of the pioneering countertenor, Alfred Deller, who was born May 31st 1912. Catherine is joined in the studio by 3 countertenors, James Bowman, Robin Blaze and Alfred's son Mark, to discuss some of the many facets of Alfred's